Halloween season is right around the corner. Get in the mood with Amazon’s September horror picks including AHS: Apocalypse and Ma!
September means it’s the back-to-school season, which is a total bummer. But it also means we’re almost into fall and Halloween! There is no better time to indulge in horror and Amazon is supplying fans with several new selections from recent favorites to old classics.
If you didn’t get the chance to catch Octavia Spencer’s sinister turn in Ma, you’ll be able to rent it this month through Amazon Video! And while you’re watching American Horror Story: 1984, be sure to catch up on last season’s apocalyptic showdown.
Many thought Stephen King’s The Girl Who Loved Tom Gordon was lost to the black hole where unfinished scripts go, but an adaptation is finally on its way!
Originally, the legendary George A. Romero was going to direct an adaptation of one of Stephen King’s lesser-known books, The Girl Who Loved Tom Gordon. Sadly, when Romero passed away, the script was buried in the Hollywood abyss.
But now, per The Hollywood Reporter, Romero’s wife, Chris Romero, will be teaming up with the producers behind King’s latest big-screen hit, It, to bring Tom Gordon to life.
If you haven’t read The Girl Who Loved Tom Gordon, I recommend it. It’s not the typical King-brand of horror. The book is far more psychological than we’re used to and has been branded as such.
After the Wedding is a new drama film starring Julianne Moore, Michelle Williams, and Billy Crudup. We spoke with the film’s cinematographer, Julio Macat.
f the name After the Wedding sounds somewhat familiar, you may have seen the 2006 film of the same name that starred Mads Mikkelson. The 2019 film is a remake of the movie, but the roles have been swapped to make the two leads female instead of male.
Isabel (Michelle Williams) is the co-founder of an orphanage in Kolkata. She travels to New York to meet with a potential benefactor named Theresa (Julianne Moore). The day of their meeting happens to fall right before Theresa’s daughter is set to be married. Isabel winds up in attendance at the wedding and suddenly finds her past coming back to haunt her.
With such an esteemable cast and dramatic story, it’s hard to resist the allure of a film like After the Wedding. Accomplished cinematographer, Julio Macat, whose work you’ve previously seen in movies like Home Alone, The Wedding Planner, Pitch Perfect, and A Walk to Remember, chatted with us about the process of crafting an intimate and meaningful film and what it was like working with incredible actors like Moore and Williams.
A new trailer for the upcoming Blair Witch game reveals more of the story. Here are three reasons the game should make fans excited.
Fans have been anticipating the new Blair Witch game since the eerily gorgeous trailer debuted at E3. The collaboration between Bloober Team and Lionsgate Games has everyone anticipating a quality narrative and storyline.
We finally have the official story trailer for the game, which will be released in a little over a week, and it looks amazing. It’s currently available to pre-order through Steamor the Xbox One store. Unfortunately, the game is not going to be released on Playstation 4, at least, for the time being.
The evil cannot be contained when Annabelle Comes Home. The Warrens return for this thrilling threequel, find out when you can own it on DVD and Blu-ray!
Experience the demonic fun of Annabelle Comes Home when the third installment in the trilogy is released on Blu-ray Combo Pack, DVD, and digital. If you’re a fan of The Conjuring universe, then the latest entry into the franchise is a must-own.
The glass beach house was supposed to be the getaway that Susan needed. Eager to help her transplanted family set down roots in their new town - and desperate for some kid-free conversation - she invites her new neighbors to join in on a week-long sublet with her and her workaholic husband.
Over the course of the first evening, liquor loosens inhibitions and lips. The three couples begin picking up on the others' marital tensions and work frustrations, as well as revealing their own. But someone says too much. And the next morning one of the women is discovered dead on the private beach.
Town detective Gabby Watkins must figure out who permanently silenced the deceased. As she investigates, she learns that everyone in the glass house was hiding something that could tie them to the murder, and that the biggest secrets of all are often in plain sight for anyone willing to look.
A taut, locked room mystery with an unforgettable cast of characters, One Little Secret promises to keep readers eyes glued to the pages and debating the blinders that we all put on in the service of politeness.
When are vacations to the Hamptons ever as relaxing as one wishes? If you’re reading a thriller and the premise follows a group of people headed to a rental home with uninterrupted views of the beach, you know someone is going to die.
It’s the guiding principle of Cate Holahan’s latest mystery novel, One Little Secret! For starters, I devoured this book in a day. When the central narrative kicks off, it demands you finish it to find out what happened.
However, where One Little Secret excels as a mystery, it doesn’t offer much in the way of thrills. The story plays out pretty much like you anticipate it will. Not that you shouldn’t read it. On the contrary, I still highly recommend the book. Holahan is a skilled writer.
Three couples decide they’re desperately in need of time away from the doldrums of their daily lives. But the moment they get together and the uber-expensive wine is poured, the secrets start to blot out the already darkened night.
Who knew one culdesac crew could have so many skeletons hidden among them?
The night ends in the murder of accomplished attorney, Rachel Klein. Her body is found on a jetty the next morning.
It’s hard to find the characters in this book likable, some far more than others, but to enjoy the mystery, you don’t need to like them, only understand their motives.
Holahan does a great job of constructing a complicated web between each adult. Everyone has a motive for wanting Rachel dead, which makes the ultimate culprit tough to figure out.
One character I had a hard time wrapping my head around was the leading detective on the case. Gabby flips between suspects on a whim. She felt more like a navigational tool to guide readers through the suspects than a fully-realized and capable detective.
Overall, One Little Secret is a suspenseful, pulpy mystery book full of juicy scandals and scintillating secrets. It’s the perfect beach read for the summer and will help you while away hours in the sunshine, where you, hopefully, won’t stumble upon the dead body of your suspicious neighbor.
About Cate Holahan
Cate Holahan is the USA Today Bestselling author of The Widower’s Wife, Lies She Told, and Dark Turns, all published by Crooked Lane Books. In a former life, she was an award-winning journalist that wrote for The Record, The Boston Globe, and BusinessWeek.
She lives in NJ with her husband, two daughters, and food-obsessed dog, and spends a disturbing amount of time highly-caffeinated, mining her own anxieties for material.
Peter Caine, a cutthroat Manhattan defense attorney, is extremely adept at his job. On the surface, he is charming and handsome, but inside he is cold and heartless. A sociopath practically incapable of human emotions, he has no remorse when he fights to acquit murderers, pedophiles and rapists.
When Charlie Doyle, the daughter of the Manhattan DA—and Peter’s former lover—is murdered, Peter’s world is quickly sent into a tailspin as the DA, a professional enemy of Peter’s, embarks on a witch hunt to avenge his daughter’s death, stopping at nothing to ensure Peter is found guilty of the murder.
Peter sets out to prove his innocence, and as he pieces together his defense, he finds that it’s those closest to us who are capable of the greatest harm.
Peter Caine is not your average protagonist. He doesn’t care about anyone but himself. Caine views his only son as an accessory built to aid in his climb up the career ladder more than a person. The same principle applies to every woman he’s ever dated, or worse, married.
Knowing this, it isn’t so unbelievable that someone like Peter Caine, an accomplished, cut-throat, heartless criminal defense attorney, could become the prime suspect in a murder investigation. Did Peter Caine brutally stab Charlotte Doyle thirty times? The daughter of his known adversary, Harrison Doyle? Maybe. Maybe not. Either way, Peter is the perfect scapegoat.
But just because someone exhibits antisocial and sociopathic tendencies doesn’t mean they’re capable of violence.
The sentiment mentioned above is the one at the heart of Once a Liar. One I didn’t feel the story explored to its fullest extent. Once a Liar is a compelling read. Brady does a fantastic job of intricately plotting the details of the central mystery.
I suspected the ending of this story long before the book arrived there. Once a Liar is a novel you could reread and find all the clues laid out perfectly for the untrained eye to gloss over. Predictability, in this case, works in favor of supporting Brady’s attention to detail.
However, I have mixed feelings about how the book ends. I’m not so sure I agree with the novel’s takeaway lesson of justice and morality. Does the punishment fit the crime? I don’t feel like it does, in this case.
Aside from the plot itself, Brady crafts and builds a complex world of chess pieces. Every character has a fleshed-out backstory, sometimes to the point of excess.
These characters breathe and jump off the pages — all except one, Charlotte Doyle. Her character is woefully underdeveloped. She is used more as a plot device than as a human being. It’s fitting, given her purpose in the story, albeit still a smidge disappointing.
If you’re coming into Once a Liar expecting a fast-paced, taut thriller, then I do think you’ll be disappointed. This book is more than that. The pacing is keeled, the reveals slow and deliberate, and it makes the story more engrossing.
Once a Liar works more as a character study and exploration of the criminal mind games at work every day in politics. You need to understand the rules of this world first before delving into the murder, which doesn’t occur until almost the mid-way point of the novel.
About A.F. Brady
A.F. Brady is a New York State Licensed Mental Health Counselor/Psychotherapist. She holds a Bachelor’s degree in Psychology from Brown University and two Masters degrees in Psychological Counseling from Columbia University. She is a life-long New Yorker and resides in Manhattan with her husband and their family. The Blind is her first novel.
What if home is the most dangerous place you can be? Gloria Janes appears to be a doting suburban mother and loving wife. But beyond her canary-yellow door, Gloria controls her husband, Telly, as well as seven-year-old Maisy and her older brother Rowan, through a disorienting cycle of adoration and banishment.
When Telly leaves, Gloria turns on Rowan. He runs away, finding unlikely refuge with a homeless man named Carl, with whom he forms the kind of bond he has never found with his parents. After they are menaced by strangers, Rowan follows Carl to an isolated cottage, where he accidentally sets off a burst of heightened paranoia in Carl, and their adventure takes a dark turn.
Gloria is publicly desperate for the safe return of her son while privately plotting ever wilder ways to lure Telly home for good. Her behaviour grows more erratic and her manipulation of Maisy begins to seem dedicated toward an outcome that only she can see. The two storylines drive relentlessly toward a climax that is both shocking and emotionally riveting.
It takes someone of immeasurable cruelty to force their child out into the dark woods come midnight as a form of punishment. That is the kind of person Gloria is, a woman who never should have become a mother.
She’s more monstrous than anything one might find out in the forest. Gloria’s treatment of her two children, Rowan and Maisy, is the nexus of Hideaway, a gloomy, tragic, adventure story about a child who finds comfort in a mentally unstable man who lives under a bridge.
Hideaway is not an easy book to read. Stories about child neglect and abuse never are, especially because we know people like this exist in the real world.
I wish I liked this novel more. I think it has something to say and a compelling story to tell, but, I found myself unable to make it past the half-way mark. Telling the story from the perspective of the children was a smart move, yet I often felt bogged down by long passages winding nowhere.
Carl was a frustrating character too, the overuse of the “urh,” sound became grating after a while.
Hideaway is a great novel for some, the book has high reviews on Goodreads and other platforms, but for me, it felt too long and too bleak. It wasn’t to my liking, unfortunately.
I would still recommend it to anyone who finds the premise intriguing. It’s unlike many novels I’ve read, and its uniqueness makes it an excellent story for some. Be aware of the dark subject matter beforehand.
About Nicole Lundrigan
Nicole is the author of seven novels including GLASS BOYS, THE SUBSTITUTE, and HIDEAWAY (available NOW). Her work has been selected as a Top 10 pick by Canada’s national newspaper the Globe and Mail, a top 100 on amazon.ca, a top 10 by Now Magazine, was long-listed for the Relit Award, and given honourable mention for the Sunburst Award.
With the writing chops of Ian McEwan and the story-craft of Lisa Wingate, Karen Kelly weaves a shattering debut about two intertwined families and the secrets that they buried during the gilded, glory days of Bethlehem, PA.
A young woman arrives at the grand ancestral home of her husband’s family, hoping to fortify her cracking marriage. But what she finds is not what she expected: tragedy haunts the hallways, whispering of heartache and a past she never knew existed.
Inspired by the true titans of the steel-boom era, Bethlehem is a story of temptation and regret, a story of secrets and the cost of keeping them, a story of forgiveness. It is the story of two complex women—thrown together in the name of family—who, in coming to understand each other, come finally to understand themselves.
Kelly’s debut novel makes a terrific splash in weaving together the tale of two complex women, both haunted by the tragedies of the past and the unrelenting nature of love in its most daunting form – uncontrollable.
Uprooting his family to the town of Bethlehem, PA and its lustrous history of the steel industry, Joanna discovers the faults in her marriage run deeper than she anticipated.
It is only under the cruel light of the endless blue skies she begins to see the dark truth of not only her own life but the thunderous echoes of the past. Often left to her own devices due to her husband’s busy work schedule, Joanna finds herself taken with the eccentric caretakers of the home.
She floated in Chap’s arms like a feather in a stream, with a strange, transcendental feeling of utter fulfillment, made more bewildering by the fact that she hadn’t realized it had been missing before.
Her new connections lead her to make a curious connection with her mother-in-law, a woman whose story mirrors Joanna’s in an almost uncanny way.
Bethlehem is a vibrant, soapy, and absorbing debut. It’s romantic without being sappy, mysterious without being dour, and realistic with its descriptive passages of aureate architecture and old-money opulence.
What makes Bethlehem such a startling novel and a departure from the tired and true romantic sentiments is its disavowal of a fated “to be.” There is a sadness to love, the idea that being enraptured by one may blind you to the truth.
Karen Kelly makes an exhilarating debut with this historical fiction novel. Stick with it. The beginning can be daunting due to its many character introductions and alternating usage of the timeline.
Rest assured you will be eased into the complicated family relationships between the Collier and Parrish families. The delicate intricacies of their family relationships form the underlying foundation of this story and beg the question of familial history – if one does not understand the past is it doomed to repeat?
Only when Susannah recognizes the imposter, does she impart a moral to the woman who became so inexplicably linked to her in the past and the present.